From the George Mann Archives: The Tom Davies Trio perform the Wall of Death at Los Angeles’ Orpheum Theatre* (1928)

*[Update to this post: after reviewing other newly digitzed footage shot on the same day as the Wall of Death discussed below, George Mann’s son Brad Smith now believes that this footage was actually shot at the Oakland Orpheum Theatre, sometime between March 31-April 6, 1928. The act and the players were identical to what was seen in March 1928 in Los Angeles.]

Today On Bunker Hill is proud to present another little something special from the archives of George Mann, an artifact that predates his astonishing color photographs of Bunker Hill by about thirty years.

In March 1928, the comedic dance team of Barto & Mann were billed on the vaudeville stage of Los Angeles’ Orpheum Theatre with a slew of acts who are today mostly forgotten, but who had reached the top of a very competitive entertainment industry. It was during this run that the very-small-and-awful-tall Barto & Mann were praised by the L.A. Times as “a knockout team.”

A not-yet-39 Jack Benny was on the bill, as was the magician Cardini (still billed as “The Gay Deceiver;” later on, he became “Suave”). Charlotte Greenwood appeared “in her morning bath” — a bit in which the dancer-comedienne was forever stopped from disrobing by the inopportune arrival of a range of visitors. Also appearing were the pratfalling comic Lupino Lane (Ida’s uncle), Harland Tucker and Carl McCullough singing “When I Was a Dandy and You Were a Belle.”

Then there was the Tom Davies Trio–up at the top of the bill, but something of a mystery until the film snippet below was digitized by George Mann’s son Brad Smith, some 84 years after his father captured this astonishing scene.

Friends, we bring you the celebrated and terrifying Wall of Death, live on the Orpheum stage! And in July 2012, you can see the first exhibition anywhere of George Mann’s Bunker Hill photographs, just steps away from the Orpheum at the Take My Picture gallery.

From the George Mann Archives: W.C. Fields in “The Mormon’s Prayer” (1928)

Today On Bunker Hill is proud to present another little something special from the archives of George Mann, an artifact that predates his astonishing color photographs of Bunker Hill by about thirty years.

Before he came up to the hill to take pictures, George was half of the comedic vaudeville dance team Barto & Mann. In 1928, he filmed his friend W.C. Fields in that comic performer’s headlining role in the Earl Carroll Vanities, at Carroll’s 7th Avenue Manhattan theater. Barto & Mann were also on the bill.

“The Mormon’s Prayer” was an opportunity to highlight the famously stunning Carroll showgirls (choreographed by Busby Berkeley) while giving the urban audience a chance to snicker at the erotic excesses of backwoods believers. We’re truly thrilled to present to you this lost moment of American theater history, as a follow-up to the newly discovered color George Mann footage of the Three Stooges at Atlantic City.

Fields was paid $5200 a week for his several appearances during the show, which culminated in an outrageous routine, “Episode at the Dentist’s” (later expanded and filmed) in which flying teeth and whirring drills terrorized and delighted the packed house. Among Dr. Pain’s (Fields) “victims” was the gorgeous, half-naked and dumb-as-a-post star of the Vanities, Dorothy Knapp (“The Most Beautiful Girl in the World”). We will refrain from any crass remarks about wishing to “drill” her.

Dorothy Knapp, Earl Carroll showgirl

From the George Mann Archives: W.C. Fields in “Home Movies” (1928)

Today On Bunker Hill is proud to present another little something special from the archives of George Mann, an artifact that predates his astonishing color photographs of Bunker Hill by about thirty years.

If you enjoyed the recent posting of George’s silent footage of W.C. Fields on stage as a worried Mormon husband about to hop into the sack with a bevy of Earl Carroll showgirls, you’ll thrill to see the lively home movie footage of Fields yucking it up with a tennis racket, filmed when both performers were appearing in the Earl Carroll Vanities.

You met him here first, but our pal George Mann is becoming quite the internet sensation. Critic Leonard Maltin dedicated much of a recent blog post to Mann’s rediscovered silent film footage of Fields and the Three Stooges.

Keeping watching this space, as there more amazing short films coming from the George Mann Archives, starring some incredible entertainers. And for now… more Bill Fields!