Hillzapoppin' in the OBH!  A couple swanky new color images emerged from the greater Mann grotto and the good people at the archives wanted to share them with you.  Ain't they the best?

This image is later than the other Manns (Menn?) we've seen.  (Given the specific progress made on the Union Bank tower, I'd peg this photo at September 1966).  By comparison, here's one of late-50s vintage you've seen before:

The Community Redevelopment Agency got their wreckers and worked from top to bottom; started with the Elks in the autum of 1962, then hit the Hulburt (middle) and finished the Ferguson on Hill in '63.

With Angels Flight's Western Wall removed, you then see these two characters in images of the Flight, but they were chewed up pretty quickly.

It’s not an Edwardian octoplex full of grime and grifters. It’s not even on Bunker Hill. But we’re going to tell the tale of the Architects’ Building, and if not to you, faithful OBHer, then to whom?

All and sundry weep for the Richfield. It’s not altogether true that everyone turned a blind eye during its ‘68-9 demo. Even the Government knew enough to come on out with its Instamatic and take lots of snaps.

After the DWP and Dorothy Chandler went up, postcard photographers said whoopee! something to shoot besides City Hall and the Chinese. So they cruised up to the bluff on Huntley, trained their lenses across Second and Beaudry toward First and Flower and fired away. The day view is a Plastichrome by Colourpicture, the night view by Western Publishing & Novelty, both circa 1965.

People land on cars. They just do. It’s how Daredevil and Crank end; it’s how Lethal Weapon begins. Pauly lands on a car in Darkman; Conan O’Brien lands on a car in South Park: Bigger, Longer and Uncut. And then there’s George Costanza’s suit against the hospital whose mental patient landed on his automobile. Clinicians call it the Evelyn McHale Syndrome, or at least I do.

This episode, we’ll be less concerned with the reprobate, the raconteur, the religious zealot, or good folk who fell into bad judgment; instead let’s meditate on those went above and beyond the call of duty to make this country what it is, and in the most literal sense, made this country. The Bunker Hill of Israel Putnam and his bayoneted muzzleloader, not the Bunker Hill of Albert Duarte and his oversized bow. Perhaps because of the revolutionary association to the Bunker Hill appellation, and because Bunker Hill in the pre-Crash era still held some credibility and panache, it was to where the Sons of the Revolution came to have their library, 437 South Hope Street.